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Some days appear to have been very idle, others, like April 9th, seem to be rather eventful.
I believe this was the first "post Harry Potter" performance I saw by any of the main actors from the Harry Potter films. On this occasion it was Sean Biggerstaff (Oliver Wood, in case you need reminding) in The Girl With Red Hair at the Hampstead Theatre in London.
Now, to be honest I don't remember much about it apart from it being a quite evocative of a small coastal Scottish community trying to dealing with their emotions.
I managed to get a seat at the Theatre Royal Bath to see Mary Stuart one of the biggest hits of the year. At the time I wrote "The reviews are right! Mary Stuart is
theatre at it's most beautiful; the exquisite wordplay, the toing &
froing of plot and empathy, the superb performances, the stark, focused,
staging."
The play opens with the toss of a coin to decide which of the two leads, Juliet Stevenson and Lia Williams, will play Elizabeth I and which Mary Stuart. It was all about the interplay between these two strong women and the men around them trying to assert control. Played in modern dress until the very last scene in which Elizabeth transforms into the iconic image we have from history which powerfully conveyed the constraints that she inevitably had to concede to.
By contrast, The House on Cold Hill at the Richmond Theatre in London was 'theatre by numbers'.
A respectable cast of 'well known' names from TV, a lavish set and neatly contemporary twists to the traditional haunted house storyline made for a pleasant enough night out but offered nothing particularly memorable.
In 2005
Now, to be honest I don't remember much about it apart from it being a quite evocative of a small coastal Scottish community trying to dealing with their emotions.
In 2018
The play opens with the toss of a coin to decide which of the two leads, Juliet Stevenson and Lia Williams, will play Elizabeth I and which Mary Stuart. It was all about the interplay between these two strong women and the men around them trying to assert control. Played in modern dress until the very last scene in which Elizabeth transforms into the iconic image we have from history which powerfully conveyed the constraints that she inevitably had to concede to.
In 2019
A respectable cast of 'well known' names from TV, a lavish set and neatly contemporary twists to the traditional haunted house storyline made for a pleasant enough night out but offered nothing particularly memorable.
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