To celebrate hitting the unbelievable milestone of 3,000 subscribers I have chosen a selection of top games I've picked up over the last couple of years, added in some choice new titles that I've really enjoyed playing on the channel and bundled them all into one big giveaway! I will draw FIVE winning entrants on the Gleam.io competition page and up to FIVE entrants through my YouTube Community competition post up to a maximum of TEN winners in all. Each winning entrant can choose one of at least twenty one great games to take away and keep. NOTE : The same prize list is used for both YouTube and Gleam.io entries but entries made on the YouTube post will have precedence in choosing a game key prize. All the games that aren't picked by the winners in this giveaway will be rolled forward into future giveaways on the channel. So, even if you don't win today, keep an eye on Ajaxpost Plays for further chances to grab an awesome game! See below for the full list of games in...
Some days appear to have been very idle, others, like April 9th, seem to be rather eventful.
Now, to be honest I don't remember much about it apart from it being a quite evocative of a small coastal Scottish community trying to dealing with their emotions.
The play opens with the toss of a coin to decide which of the two leads, Juliet Stevenson and Lia Williams, will play Elizabeth I and which Mary Stuart. It was all about the interplay between these two strong women and the men around them trying to assert control. Played in modern dress until the very last scene in which Elizabeth transforms into the iconic image we have from history which powerfully conveyed the constraints that she inevitably had to concede to.
A respectable cast of 'well known' names from TV, a lavish set and neatly contemporary twists to the traditional haunted house storyline made for a pleasant enough night out but offered nothing particularly memorable.
In 2005
I believe this was the first "post Harry Potter" performance I saw by any of the main actors from the Harry Potter films. On this occasion it was Sean Biggerstaff (Oliver Wood, in case you need reminding) in The Girl With Red Hair at the Hampstead Theatre in London.Now, to be honest I don't remember much about it apart from it being a quite evocative of a small coastal Scottish community trying to dealing with their emotions.
In 2018
I managed to get a seat at the Theatre Royal Bath to see Mary Stuart one of the biggest hits of the year. At the time I wrote "The reviews are right! Mary Stuart is theatre at it's most beautiful; the exquisite wordplay, the toing & froing of plot and empathy, the superb performances, the stark, focused, staging."The play opens with the toss of a coin to decide which of the two leads, Juliet Stevenson and Lia Williams, will play Elizabeth I and which Mary Stuart. It was all about the interplay between these two strong women and the men around them trying to assert control. Played in modern dress until the very last scene in which Elizabeth transforms into the iconic image we have from history which powerfully conveyed the constraints that she inevitably had to concede to.
In 2019
By contrast, The House on Cold Hill at the Richmond Theatre in London was 'theatre by numbers'.A respectable cast of 'well known' names from TV, a lavish set and neatly contemporary twists to the traditional haunted house storyline made for a pleasant enough night out but offered nothing particularly memorable.
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