To celebrate hitting the unbelievable milestone of 3,000 subscribers I have chosen a selection of top games I've picked up over the last couple of years, added in some choice new titles that I've really enjoyed playing on the channel and bundled them all into one big giveaway! I will draw FIVE winning entrants on the Gleam.io competition page and up to FIVE entrants through my YouTube Community competition post up to a maximum of TEN winners in all. Each winning entrant can choose one of at least twenty one great games to take away and keep. NOTE : The same prize list is used for both YouTube and Gleam.io entries but entries made on the YouTube post will have precedence in choosing a game key prize. All the games that aren't picked by the winners in this giveaway will be rolled forward into future giveaways on the channel. So, even if you don't win today, keep an eye on Ajaxpost Plays for further chances to grab an awesome game! See below for the full list of games in...
A pertinent question was asked on this day Before The Lockdown:
Apparently wondering whether a shared social conscience, in this case an apocalyptic nightmare, in response to genuine political turmoil can be harnessed by a 'visionary' to effect political change.
It's a challenging piece in that it tries to explore multiple individual stories to find some common ground between them and then link that to the political process.
The individual stories and each one's relationship with the 'visionary' was interesting but I'm not sure it actually came together sufficiently to pose a coherent question or offer any real insight into personal or political motivations.
That, though, was not due to the production but more an issue with the play itself.
in 2019
Among the many interesting amateur groups putting on productions in Bath are the creative students of Bath Spa University's Theatre Society. On this day I saw their presentation of Mike Bartlett's 13 at the Mission Theatre in Bath.
It's a challenging piece in that it tries to explore multiple individual stories to find some common ground between them and then link that to the political process.
The individual stories and each one's relationship with the 'visionary' was interesting but I'm not sure it actually came together sufficiently to pose a coherent question or offer any real insight into personal or political motivations.
That, though, was not due to the production but more an issue with the play itself.
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